‘The Southbury Child’ Review: Well-Meaning Production Can’t Cover a Schematic Script

A place for everything and everything in its place. Although that maxim about neatness might apply to the intentions of the characters living in the English country vicarage in “The Southbury Child,” it’s actually better as a description of the way Stephen Beresford’s all-too-orderly new play (now running at the Bridge Theatre in London) is […]