Alena Lodkina’s first feature, “Strange Colours” (2017) took her deep into the Australian outback, to the rough-as-guts opal-mining town of Lightning Ridge, before bringing her to the Venice Film Festival, where the film premiered. It augured a distinctive new mood in Australian cinema – understated but keenly observed; a little sinister – as represented in […]
With its stationary long-shots of domestic life, “Family Time” is like the “Paranormal Activity” of dysfunctional-holiday-gathering movies:...
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