Class divisions that assume macrocosmic significance in Ruben Östlund’s “Triangle of Sadness” remain microcosmically scaled in “Pretty Problems,” another cleverly discomfiting, festival-blessed comedy hitting theaters on Oct. 13. Kestrin Pantera’s third directorial feature, which won the Audience Award at SXSW, also places a less-advantaged young couple in an enclave of the very rich. Here, however, […]
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