Throughout his career, Indian filmmaker Devashish Makhija has been a chronicler of social inequities and “Joram” continues the trajectory. Makhija’s short films examine subjects as varied as misogyny, corruption, land grab and patriarchy. Amongst his features, “Ajji” (2017) tackles rape and its aftermath, while “Bhonsle” (2018) looks at a host of subjects including loneliness, social […]
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