Every composer who scores a true crime series is dealing with ghosts. Their challenge is to help make a show riveting, dramatic — even entertaining — while trying not to exploit a real tragedy with real victims. “Murdaugh Murders: A Southern Scandal” called for sensitivity from composers Danielle Furst and Khari Mateen. For Danielle Furst […]
The boundary dimensions in Adelaide mean that a bouncer ploy could prove expensive
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