Every 15 minutes, according to a title at the end of director Anne Fontaine’s latest film, someone on earth plays Maurice Ravel’s “Boléro.” It’s a largely unprovable statement that is nonetheless borne out anecdotally by the familiarity of the tune, which crops up so frequently in concerts, movies, TV shows, commercials, dance recitals and at […]
© 2020-23 Digest Wire. All rights belong to their respective owners.