‘Long Day’s Journey Into Night’ Review: Patricia Clarkson Illuminates an Uneven West End Production

No one, wisely, has turned “A Long Day’s Journey Into Night” into an opera — not least because, arguably, Eugene O’Neill’s most famous play already is one. It features extended solo arias mixing memory and pain, and, excluding the maid’s comedy high notes, the near-negligible plot operates as a vocal quartet. The job of the […]