‘Megalopolis’ Review: Francis Ford Coppola’s Bold, Ungainly Epic Crams in Half a Dozen Stars and Decades’ Worth of Ideas

In the long-gestating, career-encompassing allegory that is “Megalopolis,” director Francis Ford Coppola puts his name above the title and, in the film’s lone act of modesty, the words “A Fable” beneath it. To call this garish, idea-bloated monstrosity a mere “fable” is to grossly undersell the project’s expansive insights into art, life and legacy. Here, […]