Walter Salles’ deeply poignant “I’m Still Here,” the Brazilian director’s return to his homeland and to the filmmaking form that yielded his Oscar-nominated “Central Station,” begins where maybe every movie set in Rio de Janeiro should: at the beach. A stray dog disturbs a game of volleyball. Girls dab Coca-cola onto their skin as tanning […]
© 2020-23 Digest Wire. All rights belong to their respective owners.