Jacques Audiard’s musical thriller “Emilia Pérez,” Coralie Fargeat’s body horror “The Substance” and Matthieu Delaporte and Alexandre de La Patellière’s epic adventure “The Count of Monte Cristo” have more in common than the fact that they’re directed by French filmmakers. Despite being set in Mexico and Los Angeles, respectively, “Emilia Pérez” and “The Substance” both shot […]
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