The title “Poker Face” suggests a droll, methodical cunning that unfortunately proves elusive everywhere else in Russell Crowe’s sophomore effort as writer-director. As handsomely produced as his first, 2014’s historical drama “The Water Diviner,” it offers an even more overstuffed narrative whose myriad elements barely have time to register before we arrive at a nearly […]
"If we say something, it is not accepted well. But if there is not conclusive evidence, it...
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