In Peter Morgan’s tantalizing but disappointing new play “Patriots,” Boris Berezovsky is presented as a larger-than-life oligarch in a post-Soviet Russia who transforms Vladimir Putin from a middling “nobody” to an autocrat who will transform his country in ways unforeseen at home or globally. There’s an expectation that in Morgan’s latest merging of historic fact […]
Which bit of business has been the best at the half-way stage of the season?
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